By Christine Petre’, October 20, 2015, published in Waging Nonviolence
A black-and-white mural with the text “Salam,” peace in Arabic, with a hand wrapped in barbed wire making the peace sign, covers a wall in one of Tripoli’s more troubled areas. Its artist, Hayat Chaaban, who has lived in Lebanon’s second largest city her whole life wants to put art to the battered facades of Tripoli and defy the violence. By doing so she is not only challenging the city’s rough reputation, but also the perception that graffiti is a male-oriented activity.
Despite the risks, she isn’t afraid. Dressed in a hoodie and baggy jeans, she is one of the few female graffiti artists in Tripoli and most likely in all of Lebanon. The 19-year-old artist was also involved in the recent demonstrations against the government’s garbage management. In one of her pieces, she portrayed a garbage bag in the shape of Lebanon and underneath it she wrote “Enough!” The photo quickly became well-known and used by those in the movement. But her focus is Arabic calligraphy with social messages. “I don’t pick any side,” explained the street artist “whether it be about politics or religion.” Chaaban’s work is instead about critical thinking and co-existence.
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